ART FOR SALE
I MAKE ART TO SEE
WHAT I WOULDN’T
OTHERWISE NOTICE
A face.
A landscape.
A body.
A moment that refuses to disappear.
SOME WORK BEGINS
WITH AN IDEA
Some begins with curiosity.
Some only makes sense after I’ve made it.
THIS ISN’T A FEED
It’s a collection of things
that made me stop long enough
to look again.
I MAKE ART TO SEE
WHAT I WOULDN’T
OTHERWISE NOTICE
A face.
A landscape.
A body.
A moment that refuses to disappear.
SOME WORK BEGINS
WITH AN IDEA
Some begins with curiosity.
Some only makes sense after I’ve made it.
THIS ISN’T A FEED
It’s a collection of things
that made me stop long enough
to look again.
I MAKE ART TO SEE
WHAT I WOULDN’T
OTHERWISE NOTICE
A face.
A landscape.
A body.
A moment that refuses to disappear.
SOME WORK BEGINS
WITH AN IDEA
Some begins with curiosity.
Some only makes sense after I’ve made it.
THIS ISN’T A FEED
It’s a collection of things
that made me stop long enough
to look again.
AUSTRALIA: COAST TO COUNTRY
AUSTRALIA: COAST TO COUNTRY
AUSTRALIA: COAST TO COUNTRY
THE LANDSCAPE
KEEPS CHANGING
I’ve photographed Australia from the coast of South Australia through Yorke Peninsula and into the interior.
The further I travel, the more the landscape seems to strip itself back.
Water gives way to dust.
Colour changes.
Distance takes over.
THE LANDSCAPE
KEEPS CHANGING
I’ve photographed Australia from the coast of South Australia through Yorke Peninsula and into the interior.
The further I travel, the more the landscape seems to strip itself back.
Water gives way to dust.
Colour changes.
Distance takes over.
WHAT LOOKS EMPTY
NEVER REALLY IS
The Australian landscape asks you to slow down and notice what remains — scale, texture, light, and the strange beauty of a place that doesn’t need anything added to it.
WHAT LOOKS EMPTY
NEVER REALLY IS
The Australian landscape asks you to slow down and notice what remains — scale, texture, light, and the strange beauty of a place that doesn’t need anything added to it.
AUSTRALIA:
Coast to country
AUSTRALIA:
Coast to country
THE LANDSCAPE
KEEPS CHANGING
I’ve photographed Australia from the coast of South Australia through Yorke Peninsula and into the interior.
The further I travel, the more the landscape seems to strip itself back.
Water gives way to dust.
Colour changes.
Distance takes over.
WHAT LOOKS EMPTY
NEVER REALLY IS
The Australian landscape asks you to slow down and notice what remains.
Scale. Texture. Light.
And the strange beauty of a place that doesn’t need anything added to it.
MEN OF
AUSTRALIA
MEN OF
AUSTRALIA
MEN OF
AUSTRALIA
MEN OF
AUSTRALIA
THE BODY CHANGES WITH THE LANDSCAPE
THE BODY CHANGES WITH THE LANDSCAPE
THE BODY CHANGES WITH THE LANDSCAPE
THE BODY CHANGES WITH THE LANDSCAPE
I’ve always been interested in the relationship between masculinity and place.
I’ve always been interested in the relationship between masculinity and place.
I’ve always been interested in the relationship between masculinity and place.
I’ve always been interested in the relationship between masculinity and place.
Along the coast the body feels exposed.
Along the coast the body feels exposed.
Along the coast the body feels exposed.
Along the coast the body feels exposed.
In the outback it can feel almost insignificant.
In the outback it can feel almost insignificant.
In the outback it can feel almost insignificant.
In the outback it can feel almost insignificant.
SENSUALITY WITHOUT PERFORMANCE
SENSUALITY WITHOUT PERFORMANCE
SENSUALITY WITHOUT PERFORMANCE
SENSUALITY WITHOUT PERFORMANCE
These photographs explore the male form against the landscapes that define Australia — intimacy, vulnerability and masculinity without asking any of them to behave the way we expect.
These photographs explore the male form against the landscapes that define Australia — intimacy, vulnerability and masculinity without asking any of them to behave the way we expect.
These photographs explore the male form against the landscapes that define Australia — intimacy, vulnerability and masculinity without asking any of them to behave the way we expect.
These photographs explore the male form against the landscapes that define Australia — intimacy, vulnerability and masculinity without asking any of them to behave the way we expect.
THE BODY IS PART
OF THE LANDSCAPE
NOT APART FROM IT
THE BODY IS PART
OF THE LANDSCAPE
NOT APART FROM IT
THE BODY IS PART
OF THE LANDSCAPE
NOT APART FROM IT
THE BODY IS PART
OF THE LANDSCAPE
NOT APART FROM IT
SOLO TRAVEL
SOLO TRAVEL
SOLO TRAVEL
SOLO TRAVEL
TRAVEL IS A HUGE
PART OF MY LIFE
With Indonesia being my favourite destination.
Bali, Lombok, Sumbawa, Komodo National Park and Flores.
TRAVEL IS A HUGE
PART OF MY LIFE
With Indonesia being my favourite destination.
Bali, Lombok, Sumbawa, Komodo National Park and Flores.
BOTH UNIQUE
AND YET ODDLY SIMILAR
From island life and coastal regions through to pastoral and mountainous ranges, the beauty of the country and its culture have captivated me for over a decade.
BOTH UNIQUE
AND YET ODDLY SIMILAR
From island life and coastal regions through to pastoral and mountainous ranges, the beauty of the country and its culture have captivated me for over a decade.
BOTH UNIQUE
AND YET ODDLY SIMILAR
Even though each has a distinctly different dominant religion.
From island life and coastal regions through to pastural and mountainous ranges, the beauty of the country and its culture have captivated me for over a decade.
THIS IS JUST A TASTE
OF THE INDONESIA I SEE
ON MY TRAVELS
THIS IS JUST A TASTE
OF THE INDONESIA I SEE
ON MY TRAVELS
THIS IS JUST A TASTE
OF THE INDONESIA I SEE
ON MY TRAVELS
THIS IS JUST A TASTE OF THE INDONESIA I SEE
ON MY TRAVELS
For work printed on Fine art Giclee matte or semi-gloss.
For work printed on Metallic stock.
Switching sizing for portrait of landscape.
Can I get exclusivity on a print?
Is there work available that is not shown here?
Do you shoot commission art.
How do I purchase